‘Rogue One’ Director Explains How Director Krennic Fits in With The Empire

Since the main antagonist for Rogue One: A Star Wars Story, Director Orson Krennic (Ben Mendelsohn) was revealed, fans have wondered just how the character would fit into the pre-existing hierarchy of the Empire first introduced in the original classic A New Hope back in 1977.

Since the main antagonist for Rogue One: A Star Wars Story, Director Orson Krennic (Ben Mendelsohn) was revealed, fans have wondered just how the character would fit into the pre-existing hierarchy of the Empire first introduced in the original classic A New Hope back in 1977.

In an interview with USA Today, director Garreth Edwards divulged just exactly where Krennic stands with the Empire.

[Krennic] hits a brick wall in the hierarchy where they won’t let him in the club and it’s going to turn into a them-or-us situation: either Krennic or Tarkin and the others.

Edwards also added that Krennic is a “working-class” Imperial officer who ascended to his position “through sheer force of personality and ideas”.

Krennic hitting the brick wall or glass ceiling means that the character was most likely born in the outer rim of the galaxy. Fans who read the books know the Empire is extremely prejudiced against non-human species or those born outside the inner rim of the galaxy. Where is this guy from, Jelucan? One thing is for sure, he wasn’t born on Coruscant.

Rogue One: A Star Wars Story hits theaters December 16, 2016.

Head on over to USA Today read more of the interview with Edwards including a brief account of what it like shooting a scene with Mendelsohn opposite Darth Vader.

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From Lucasfilm comes the first of the Star Wars standalone films, “Rogue One: A Star Wars Story,” an all-new epic adventure. In a time of conflict, a group of unlikely heroes band together on a mission to steal the plans to the Death Star, the Empire’s ultimate weapon of destruction. This key event in the Star Wars timeline brings together ordinary people who choose to do extraordinary things, and in doing so, become part of something greater than themselves. In theaters December 2016.

SOURCE: USA TODAY

Felicity Jones on ‘Rogue One’ Reshoots

In an interview with The Hollywood Reporter, actress Felicity Jones discusses her upcoming films Inferno, A Monster Calls, and Rogue One: A Star Wars Story.

 

In an interview with The Hollywood Reporter, actress Felicity Jones discusses her upcoming films InfernoA Monster Calls, and Rogue One: A Star Wars Story.

Only two short months from now Jones will lead Lucasfilm into their first outing from the Skywalker saga with the experimental spin-off.

The film tells the story of Jyn Erso (Jones) and a band of rebel spies as they embark on a mission to steal the plans of the original Death Star described in the first paragraph of the opening crawl to Star Wars Episode IV: A New HopeRogue will serve as a direct prequel to the original classic and lead right up to the moments before Princess Leia’s Tantive IV is captured by Darth Vader’s Star Destroyer, “The Executor”.

Jones told THR her biggest inspiration for Jyn was Florence Welch of the british rock band Florence + The Machine. She spent hours watching music videos by the group as she crafted who the character was and describes the physicality Florence brings to her performances as her inspiration for the physicality she brought to the role.

So much of Jyn is movement. It became a very important part of finding her. She walks almost a bit like a caged animal. Her fight sequences become like dances.

In the trailers, Jones can be seen as she storms a beach crawling with AT-AT’s. The film has her taking on stormtroopers head to head, leaping from one piece of a set to another, and even coming face to face with a TIE Fighter as she smuggles the plans that the Rebel Alliance will later use when Luke Skywalker makes his attack run on the Death Star.

THR also managed to slide in a burn about the the film’s notorious reshoots which is getting old at this point and is just flat out ignorant. Jones commented on the controversy surrounding the film going back into production this past June.

Obviously when you come to the edit, you see the film come together and you think, ‘Actually, we could do this better, and this would make more sense if we did this. I’ve done it so many times. I mean, you wouldn’t just give your first draft on this story, would you?

Every blockbuster has reshoots.

What may have once been a reaction to pieces of a film not working is now part of the production, built into the schedule and the budget from the beginning. The difference with Rogue and what makes it concerning is that director Tony Gilroy was brought in to handle the reshoots rather than the film’s director Garreth Edwards. There was a lot of talk about Lucasfilm being dissatisfied with the tone of the film saying it wasn’t Star Wars enough. Rogue  from its initial conception was to be a war film. The trailers released for the film thus far evoke vibes of Saving Private RyanPlatoon, and Apocalypse Now. My fear is that the film will suffer from a tonal clash. One train being derailed by another because of bad feedback from a focus group. At what point does Edwards’ vision and intention become compromised? Will the levity Star Wars is known for mix well with what Edwards has crafted?

To read the full interview with Jones where she also discusses her reluctance to join Inferno as well as the loss of her former co-star Anton Yelchin, head on over to THR.

Rogue One hits theaters December 16, 2016.

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